dbx 120A Subharmonic Processor

DBX 120XP / 120A Subharmonic Sythesizer

Features

*Individual control for two ranges of subharmonic frequencies

*Separate Low Frequency Boost circuit

*Separate Subwoofer Output

*Balanced inputs and 1/4" jacks for all connections

*Front panel LEDs that show crossover status and synthesis activity

*Patented circuitry ensures that mid and high frequencies are not affected

*Built-in crossover with choice of 80Hz or 120Hz crossover point

Enhance bass audio material for use in a variety of professional applications such as:

*Nightclub and dance mixing

*DJ mixing

*Theater and Film sound

*Music Recording

*Live Music Performance

*Broadcasting

*Aerobics Subharmonic Sythesizer

THE BASS IS BACK. The disco boom of the 70's was fueled by the throbbing bass beat of dbx Subharmonic Synthesizers in discos around the world. During the 80's, patented dbx Subharmonic Synthesis was the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device-unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

THE PROFESSIONAL SOLUTION. The dbx 120XP Subharmonic Synthesizer has been specially optimized by dbx engineers for the needs of audio professionals. Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.

Flexible system interfacing is achieved by providing main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.

PUT THE BEAT BACK INTO THE MUSIC. The 120XP's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material. Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied. The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.